The program of a Theater is, in the present, clearly defined by a system of functions: the operative structure, mobility axes, services, main areas, etc., are already part of the
collective discourse and it is not difficult to understand and interpret the space when we are inside a Theater.
In the current project, the before mentioned defined system of Cartesian coordinates
confronts the paranoiac-critical method, in a process of endless conflict, in opposition to analogies or homogeneity.


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